Fil:David-Oath of the Horatii-1784.jpg

(b, 1 748  Paris  d, 1 825  Bruxelles)

The Oath of the Horatii 1 784 Oil on canvas  330 x 425 cm Musée du Louvre  Paris

David owed his rise to fame - after many reversals - to a painting for the execution of which he took his family to Rome  in order to absorb himself totally in the world of antique forms, It was The Oath of the Horatii,

When he arrived to Rome  David rent a studio in the Via del Babuino, He worked in a very methodical manner on The Oath of the Horatii  drawing from life models and draped mannequins  and some very detailed studies survive for many of the main figures, He had accessories such as the swords and helmets made by local craftsmen so that they could serve as props, Drouais is supposed to have assisted David  painting the arm of the rear Horatii brother and the yellow garment of Sabina, The painting was finished at the end of July 1 785  and was then exhibited in David's studio, David signed the painting and added the painting's place of origin to the signature and date: L David / faciebat / Romanae /Anno MDCCLXXXIV, The painting created a sensation  even the Pope wanted to view it,

The story is from the 7th century B,C,  and it tells of the triplet sons of Publius Horatius  who decided the struggle between Rome and Albalonga, One survived  but he killed his own sister because she wept for one of the fallen foes  to whom she was betrothed, Condemned to death for the murder of a sibling  Horatius' son is pardoned by the will of the people,

Because of its austerity and depiction of dutiful patriotism  The Oath of the Horatii is often considered to be the clearest expression of Neoclassicism in painting, The painting's uncompromising directness  economy and tension made it instantly memorable and full of visual impact, Each of the three elements of the picture - the sons  the father and the women - is framed by a section of a Doric arcade  and the figures are located in a narrow stage-like space, David split the picture between the masculine resolve of the father and brothers and the slumped resignation of the women,, The focal point of the work is occupied by the swords that old Horatius is about to distribute to his sons, While the rear two brothers take the oath with their left hands  the foremost one swears with his right, Perhaps David did this simply as a way of grouping the figures together  but people at the time noticed this detail  and some supposed that this meant that the brother in the front would be the one to survive the combat,

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Author: DAVID  Jacques-Louis Title: The Oath of the Horatii Form: painting Time-line: 1 801-1 850 School: French